Culture Crash 19-02: True Detective

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Welcome to Culture Crash, where we examine what’s new and old in entertainment.

Tonight marks the long-awaited, sometimes excitedly and sometimes with dread, but long-awaited, return of True Detective. The TV phenomenon of 2014 and possibly the biggest letdown of 2015 is back for its third season, and the early reviews suggest this should be more like the incredible first season and not like the dud of a season two.

Still gone is season one directing wonder Cary Fukanaga, but back is writer and creator Nic Pizzolatto, who has been attached to the show all along. This time he’s sharing the directorial duties with Jeremy Saulnier, the acclaimed director of Blue Ruin and Green Room, and Daniel Sackheim, an Emmy nominee with credits on Game of Thrones, Better Call Saul, Ozark, and many other shows and movies. Even in his writing, Pizzolatto has sought some help from Graham Gordy and TV legend David Milch, who both co-write separate episodes of season 3.

Back on season 2, Pizzolatto faced a tough turnaround time, scrambling to make a second season that debuted just over a year after the first season finished. The end product seemed rushed, poorly plotted, and was generally hard to follow, even compared to the labyrinth first season. This time, Pizzolatto and co. have had more than three years to write a new season, that can hopefully recapture the old magic.

This go-around will be headed by Oscar-winner Mahershala Ali and takes place over three time periods in the Ozarks. The details are being mostly withheld, but it appears it will once again delve into a complex investigation of deeply macabre and disturbing crimes.

True Detective was a marquee hit for HBO back in 2014, and despite its stumble in 2015, it still represents a huge name-brand show for a network that will see its biggest hit, Game of Thrones, come to an end this summer. This is a show that matters for a network that still carries weight. For tonight, and the next seven Sunday’s, all eyes will be on HBO and True Detective. Let’s hope it rights this ship and enthralls us once again.

I’m Evan Rook. 

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Culture Crash 18-51: Roma

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Welcome to Culture Crash, where we examine what’s new and old in entertainment.

A new movie recently popped up on your Netflix homepage. It’s called Roma, and it’s director Alfonso Cuarón’s passion project. You may know of Cuarón from Gravity, Children of Men, Y Tu Mamá También, or even Harry Potter and the Prisoner of Azkaban. In Roma, he tells the story of Cleo, a young maid in Mexico City during 1970 and 1971. She and her fellow maid, Adela, live with a family and end up being the people most responsible for keeping the home together. They cook, clean, they even help put the kids to bed.

Cuarón has been forthcoming about the fact that the movie was inspired by his own childhood. It’s even dedicated to his family maid, Libo. One of my favorite things about Cuarón is how Cuarón filters his memories through Cleo’s experiences. When the Corpus Christi massacre starts taking place outside the window of a shop Cleo is in, the camera doesn’t shift to show this moment in history. It stays with her, and we follow her back into the world through the chaos. 

Roma is a Best Picture contender and a Best Director contender, but even more important, it’s a masterpiece. You truly get to know and care for Cleo. You understand her struggle. And further, the film is technically brilliant, with beautiful cinematography and featuring such realistic sound design that I actually turned around in the theater on two different occasions, thinking someone was making noise inside the room, when in fact, it was coming through the speakers. It’s a movie that is well-served to be seen in theaters, but if that’s not an option near you, then that’s where that Netflix subscription comes in handy. Roma is now streaming– Just make sure to eliminate distractions and let yourself be swept up in the story. It’s a trip into the past that is worth taking.

I’m Evan Rook. 

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Culture Crash 18-50: A look ahead at the movies set to dominate awards season

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Welcome to Culture Crash, where we examine American culture–what’s new and old in entertainment.

Awards season is officially upon us. The Golden Globes have already announced their nominees, which are as questionable as always. Year-end lists are being finalized, and Oscar buzz is reaching a roar for some contenders. But now is also the time when many of these movies are being released in the first place. So, here’s a guide of what to keep an eye out for to get ahead of the nominee pool.

A Star Is Born and First Man are two contenders that have already spent some time in theaters. While First Man has begun to fade a bit and failed to generate much interest from the Hollywood Foreign Press, it did grab a nom for Claire Foy. And, it would be a minor shock if she and Ryan Gosling were both shut out of the actor races at the Oscars, while the film is still strongly in the mix for Best Picture. Of course, A Star Is Born may be the centerpiece of this year’s field- with Bradley Cooper and Lady Gaga poised to each receive multiple nominations. Cooper for acting, writing, and directing; And Gaga for acting and songwriting.

Beyond those, Barry Jenkins has released his follow-up to Moonlight with If Beale Street Could Talk. A wonderful adaptation of the James Baldwin novel, the film expertly uses lighting and cinematography to celebrate black love… and to tell the heart-wrenching and familiar tale of a corrupt criminal justice system. The Favourite is another strong contender this year. Its trio of actresses- Olivia Colman, Emma Stone, and Rachel Weisz have garnered a lot of attention for their roles in this comedic take on the royal period piece that’s unlike anything you’ve seen before. And Netflix’s big swing this year comes in the form of Alfonso Cuaron’s Roma, a Spanish-language film that is inspired by Cuaron’s own childhood in Mexico City. Roma is in a limited number of theaters and is now streaming on Netflix.

Of course, there are other contenders as well. BlacKkKlansman and Eighth Grade are streaming on-demand. Black Panther is on Netflix. Adam McKay’s Vice will be released on Christmas, and other contenders like Widows, Can You Ever Forgive Me, and Green Book are all in theaters now.

It’s a busy time of year for all of us- and especially for the film community. The options are out there, and the time to stay in the loop for nomination season is now.

I’m Evan Rook. 

Stay in the loop! Follow us on Twitter and like us on Facebook! Subscribe and review on iTunes!

Culture Crash 18-47: Amazon Prime’s Homecoming

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Director Sam Esmail has taken Gimlet’s hit podcast Homecoming and infused it with a whole lot of cinematic flair in his new Amazon Prime series that serves as a throwback to classic thrillers and a trailblazer for the brave new world of 30-minute dramas.

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Culture Crash 18-43: Netflix’s Binge-worthy Horror Drama, The Haunting of Hill House

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Welcome to Culture Crash, where we examine American culture. What’s new and old in entertainment.

It’s the week of Halloween, which means it’s the time of year to get a little spooked. Luckily, Netflix has your back.

Earlier this month, Netflix released The Haunting of Hill House, a 10-episode horror series loosely based on the novel of the same name by Shirley Jackson. The series follows the Crain family; two parents and five children, over the course of multiple timelines. We watch their time spent decades earlier in the Hill House, a creepy old mansion they moved into in an effort to flip the house, and we watch them in the present day. We know from the onset that whatever happened back in that mansion, it wasn’t good, and it still haunts them even now. 

It’s a scary show, and there are moments of pure horror, but mostly, it builds a lot of suspense. It’s also a well-done family drama. It features sibling rivalry, mental illness, drug addiction- it’s like This Is Us crossed with…The Shining.

Where many horror shows can feel like they exist just to gross us out with gore, this show feels created with a purpose. It will suck you in, thrill you, and haunt you. Perfect for a Halloween-week binge-watch.

The Haunting of Hill House is available to stream on Netflix now.

I’m Evan Rook.