18-46 Segment 1: How Craft Beer Became King

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For decades, choosing what beer to drink was really just a decision between a few big players. Now, there are thousands of breweries across the country. We talk to two experts about how and why craft beer came to the forefront and how they recommend novices jump into the world of beer.

Guests:

  • Josh Noel, beer writer for the Chicago Tribune and author, Barrel-Aged Stout and Selling Out: Goose Island, Anheuser-Busch, and How Craft Beer Became Big Business
  • Fal Allen, brewmaster for Anderson Valley Brewing Company and author, Gose: Brewing a classic German beer for the modern era

Links for more information:

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Culture Crash 18-46: Filling the Thanksgiving movie void with Stuck in Love

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Welcome to Culture Crash, where we examine American culture. What’s new and old in entertainment.

In the build-up to Halloween, many of us get in the spooky mood by watching horror movies like Nightmare on Elm Street or, naturally, Halloween. Before Christmas, seasonal cheer leads people to dig out their old copies of It’s a Wonderful Life or Elf. But there aren’t many Thanksgiving movies.

Of course, you can watch A Charlie Brown Thanksgiving, but that’s only 30 minutes long. So what can be done to fill the void? Let me propose that you give the movie Stuck in Love a try. Before I get too deep into this, fair warning: the movie is sitting at a 58% on Rotten Tomatoes, but don’t let a formula tell you how to spend your holiday season.

The movie was directed by Josh Boone, who went on to direct The Fault in Our Stars and is currently making an X-Men movie, The New Mutants, so clearly there was something studios saw in the guy, even if critics didn’t click with his debut.

Stuck in Love is a melodrama slash romcom that follows a family over the course of a year, beginning and ending on Thanksgiving. It features young love, family strife, and several winning performances by Greg Kinnear, Jennifer Connelly, Nat Wolff, Logan Lerman, and Kristen Bell. It’s in the same vein as Parenthood or This Is Us and, while it is dramatic, it culminates in a finale that celebrates the enduring love of a family, despite their many differences.

It’s not horrifying, like a Halloween movie, or bright and cheerful, like a Christmas movie, it’s dramatic and emotional which seems perfect for the Thanksgiving holiday.

Stuck In Love is available to rent on Amazon Prime or in the Google Play store.

I’m Evan Rook. 

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Culture Crash 18-44: Serial, the podcast that captivated America, returns for its most important season yet

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Welcome to Culture Crash, where we examine American culture. What’s new and old in entertainment.

Back in 2014, the podcast Serial stormed into our culture with its in-depth look at a 1999 murder of a high school student in Baltimore. The podcast revolutionized the form and brought podcasting to the forefront. The first season dominated the iTunes charts, was satirized on Saturday Night Live, and even won a Peabody Award.

Its second season, about Bowe Bergdahl, a US sergeant who went AWOL during the War in Afghanistan, similarly dominated the charts but didn’t reach the heights of season one. Frankly, its unlikely any podcast ever will. The first season of Serial was lightning in a bottle.

But now comes season three, and while it continues to be unlikely anything will ever match the popularity of season one, this third season is even more important. While seasons one and two told the stories of specific, extraordinary cases, season three sets its sights on the mundane. This time, the team at This American Life and Serial took on telling the story of criminal justice in Cleveland over the course of a year. The reporters follow little cases: a bar fight, a drug bust, individuals who break parole. It tells the story of a fractured system: a system where the community doesn’t trust the police. A system where prosecutors, defense attorneys, and judges alike are overtaxed and overly reliant on plea deals. A system that determines years of people’s lives, and could affect any of us at any time.

Season three of Serial isn’t as flashy as season one. There isn’t quite as much intrigue week to week. But it is examining the daily workings of criminal justice in America, and shedding light on problems that have been accepted for far too long. It’s investigative reporting at its best, and it’s definitely worth checking out.

You can find episodes of Serial at https://serialpodcast.org/

I’m Evan Rook. 

18-43 Segment 1: Spiders & Bats: The truth behind the Halloween icons of fear

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Spiders and bats are two of the most indelible symbols of Halloween fear across the country. We talk to experts to get the truth behind these traditionally scary creatures, and hear why neither of them are nearly as scary as we’ve been made to believe.

Guests:

  • Nancy Troyano, entomologist and director of technical education and training for Rentokil North America
  • Merlin Tuttle, ecologist, wildlife photographer, conservationist, and author of the book, The Secret Lives of Bats: My adventure with the world’s most misunderstood mammals

Links for more information

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Culture Crash 18-43: Netflix’s Binge-worthy Horror Drama, The Haunting of Hill House

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Welcome to Culture Crash, where we examine American culture. What’s new and old in entertainment.

It’s the week of Halloween, which means it’s the time of year to get a little spooked. Luckily, Netflix has your back.

Earlier this month, Netflix released The Haunting of Hill House, a 10-episode horror series loosely based on the novel of the same name by Shirley Jackson. The series follows the Crain family; two parents and five children, over the course of multiple timelines. We watch their time spent decades earlier in the Hill House, a creepy old mansion they moved into in an effort to flip the house, and we watch them in the present day. We know from the onset that whatever happened back in that mansion, it wasn’t good, and it still haunts them even now. 

It’s a scary show, and there are moments of pure horror, but mostly, it builds a lot of suspense. It’s also a well-done family drama. It features sibling rivalry, mental illness, drug addiction- it’s like This Is Us crossed with…The Shining.

Where many horror shows can feel like they exist just to gross us out with gore, this show feels created with a purpose. It will suck you in, thrill you, and haunt you. Perfect for a Halloween-week binge-watch.

The Haunting of Hill House is available to stream on Netflix now.

I’m Evan Rook. 

18-42 Segment 1: The Art of Video Games

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Video games are often considered child’s play, or at least something below “real” art. Author Andrew Ervin argues that’s not true, and that video games are now big-business for TV networks and advertisers, as well as a source of true artfulness.

Guest:

  • Andrew Ervin, author, Bit by Bit: How video games transformed our world

Links for more information:

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Culture Crash 18-41: Better Call Saul’s unique pacing and why it works so well

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Welcome to Culture Crash, where we examine American culture. What’s new and old in entertainment.

Television is a medium that heavily relies on shock. Over the years, cliffhangers have come to define TV. A season, or even an episode, almost always ends on a twist or a reveal designed to set up anticipation for the future.

One of the traditional ways that TV shows have kept these shock-and-awe moments coming is by moving things along quickly. As soon as some incredible act of deceit takes place, the show starts speeding toward that next signpost.

That’s where Better Call Saul, AMC’s Breaking Bad spin-off, differentiates itself. That show often moves at a glacial pace. It’s a law show with no case of the week format. It’s a show about drug cartels that focuses on the politics of the cartels much more than actual drug deals.

The nature of Better Call Saul is that it’s a prequel series to doom. We don’t want the flawed but lovable protagonist Jimmy McGill to become the scumbag we know we will become, Saul Goodman. As a result, Better Call Saul has a fanbase that revels in the slow, meticulous pace that sounds to outsiders like it would be boring. The faster the show moves, the quicker we’ll lose the characters to the madness that is Breaking Bad.

Most shows have no interest in slowing down, and for good reason. Audiences generally want to see the big moments, and don’t care much for the mundane ones. Better Call Saul has found a way to flip that dynamic on its head and still keep audiences totally engaged. It’s a daring experiment gone completely right.

The first three seasons of Better Call Saul are available to stream on Netflix. Season four is available on-demand through AMC.

I’m Evan Rook.