If you’ve had to speak in public, you know the nerves that come with public speaking. So you probably also know the pain of umming, uhhing, or misspeaking. We explore where these vocal blunders come from and what they might mean.
Michael Erard, author, Um: Slips, Stumbles and Verbal Blunders and What They Mean
Sarah Smarsh is a journalist and author who grew up poor on a farm in Kansas. She discusses life in rural America, how our culture treats people living in poverty, and the causes she attributes to America’s wage gap.
Sarah Smarsh, journalist and author, Heartland: A memoir of working hard and being broke in the richest country on earth
Welcome to Culture Crash, where we examine American culture. What’s new and old in entertainment.
Television is a medium that heavily relies on shock. Over the years, cliffhangers have come to define TV. A season, or even an episode, almost always ends on a twist or a reveal designed to set up anticipation for the future.
One of the traditional ways that TV shows have kept these shock-and-awe moments coming is by moving things along quickly. As soon as some incredible act of deceit takes place, the show starts speeding toward that next signpost.
That’s where Better Call Saul, AMC’s Breaking Bad spin-off, differentiates itself. That show often moves at a glacial pace. It’s a law show with no case of the week format. It’s a show about drug cartels that focuses on the politics of the cartels much more than actual drug deals.
The nature of Better Call Saul is that it’s a prequel series to doom. We don’t want the flawed but lovable protagonist Jimmy McGill to become the scumbag we know we will become, Saul Goodman. As a result, Better Call Saul has a fanbase that revels in the slow, meticulous pace that sounds to outsiders like it would be boring. The faster the show moves, the quicker we’ll lose the characters to the madness that is Breaking Bad.
Most shows have no interest in slowing down, and for good reason. Audiences generally want to see the big moments, and don’t care much for the mundane ones. Better Call Saul has found a way to flip that dynamic on its head and still keep audiences totally engaged. It’s a daring experiment gone completely right.
The first three seasons of Better Call Saul are available to stream on Netflix. Season four is available on-demand through AMC.
Retirement can be bittersweet. On one hand, it’s something you build toward your whole life, but it can also be intimidated to lose your purpose in the workplace. We talk to Helen Wilkes about how she found a new passion in her retirement, and how she’s helping others make their retirements more fulfilling.
Helen Wilkes, author, The Aging of Aquarius: Igniting passion and passion and purpose as an elder
There are millions incarcerated in American prisons, even many juveniles who were sentenced to long terms alongside adults. We talk to guests about how and why this happens, whether it should continue, and what life is like for young people behind bars.
Peter K. Enns, Associate Professor, Department of Government at Cornell University and author, Incarceration Nation: How the United States became the most punitive democracy in the world
Jean Trounstine, Professor, Middlesex Community College and author, Boy with a Knife: A story of murder, remorse, and a prisoner’s fight for justice
Welcome to Culture Crash, where we examine American culture. What’s new and old in books, film, and entertainment.
Sometimes, classifying art in one specific genre can be tricky. Look at Star Wars. It’s a space opera, sure. But what does that mean? It was built to be a Western. And sci-fi. With some fantasy aspects? And who is the intended audience? Is it for kids? Teenagers? Adults? All of the above? That can be the difficulty in classification.
So it is with Hank Green’s novel, An Absolutely Remarkable Thing. His brother is responsible for the young adult hits Looking for Alaska, The Fault In Our Stars, and Paper Towns, so many people are rushing to call Hank Green’s book YA as well. And the cover certainly makes it look like a YA book. But it’s not actually about teenagers. It’s about a 20-something woman with a career to think about. In fact, none of the main characters are under the age of 20.
The term YA can be limiting. Many people look down on that designation, which is itself an arbitrary reason to eliminate something from your radar because, in essence, all PG-13 movies are for young adults and adults still go see Jurassic Park movies and Marvel movies.
Ultimately, An Absolutely Remarkable Thing falls into that group… as do John Green’s books for that matter. They’re PG-13 stories that are appropriate for young adults and also just wonderful stories that everyone can embrace. An Absolutely Remarkable Thing tells one woman’s story as she is thrust in the center of an international affair. It tackles the issues of social media, of civic duty and tolerance, and it’s a fun story that will keep you on the edge of your seat. It’s sort of a sci-fi adventure dramedy. Give it a chance, it’s good!
Hank Green’s book An Absolutely Remarkable Thing is available now.
Hank Green has a massive internet presence as a podcaster, vlogger, tweeter, and more. Now, he’s become an author. His new book, An Absolutely Remarkable Thing, deals with internet fame and our reactionary culture head-on. He joins the show to discuss these issues, and whether is the internet is good.
Hank Green, author, An Absolutely Remarkable Thing